Berlin-based writer and editor; co-founder of New Models (est. 2018), a media channel and community addressing the emergent effects of networked technology on culture; previously, editor-in-chief of the Berlin-based critical art journal Texte zur Kunst (2014-17) and an associate editor at Artforum magazine (2008-14) in New York.

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Keynote: "Do You Know Where You Live?" (re/ collapse of linear media) for Bundeskunsthalle Bonn & UdK Berlin's Future of Critique Congress, 18. Nov. 2022

"HSTRY2" talk for The AA School of Architecture's At the End of the End of History program, org. by Shumon Basar, July 2022

Interview: "Wer hat Angst vor Inflation?" (re/ art, technology, and markets) for zdf aspekte, 27. May 2022

Wolfgang Tillmans x Caroline Busta (on Tillmans's political posters), in Wolfgang Tillmans, A Reader, MoMA 2022 (first pub. in Texte zur Kunst, Sept. 2017)

"The Techno-Stack," in Techno Globalization Pandemic ed. Bart van der Heide for Museion Bolzano (2021, Hatje Cantz)

"Scent of the Internet" intvw by Philip Maughan, Highsnobiety Dec 2021

"Best of 2021: Anne Imhof, Natures Mortes," Artforum Dec 2021

"Online Futures: What's Next for the World Wide Web?," w/ Caroline Busta, Lil Internet, Joanna Pope, Arthur Röing Baer, Toby Shorin, Index Nr.5, Fall 2021

"Losing Yourself in the Dark," for "Open Secret," KW Inst. for Contemporary Art, June 2021

"Clearnet vs. Dark Forest: The New Psychogeography of Art," (lecture) UCLA Design Media Arts, March 12, 2021

"The internet didn't kill Counterculture, you just won't find it on Instagram," Document Journal Fall/Winter 2020/21

Mod. "Poss. Futures of Music Valuation: w/ Cherie Hu, Jean-Hugues Kabuiku, Trevor McFedries,", CTM Festival 2021

"2000-032c-2020," 032c Nr.38, Winter 2021

"Club Future," HIGHTech by Highsnobiety, Fall/Winter 2020/21

"Profile: Richard Kennedy" Independent, May 2020 & "Dispatch: Richard Kennedy's Fubu Fukú" Artforum, Sept 2020

"Influencing the Void: How the 2010s Art World Lost the Thread," Kaleidoscope, Spring 2020

Mod. "The 2010s: A Roundtable Discussion with John Hill, Amadeo-Kraupa-Tuskany, And Susanne Pfeffer," Spike Art Magazine, Winter 2020

"Towards a New Gothic," Kaleidoscope, Fall 2019

"Notes on the work of Tobias Spichtig," New Models, Oct. 2019

"Women of Nike" for Nike x Novembre, 2019 FIFA Womens' World Cup

"Notes on Collaboration" for Kaleidoscope Manifesto at Lafayette Anticipations, Paris, May 2019

Intvw: Amnesia Scanner (Martti Kalliala & Ville Haimala) for Kaleidoscope, SS 2019

Intvw: Juliana Huxtable for Art|Basel, Feb. 2019

Intvw: Heji Shin for Interview, Jan. 2019

"2018 TOP TEN," Artforum, Dec. 2018

Intvw: Sarah Schulman "True and False Victims," (w/ Anke Dyes),Texte zur Kunst, Sept. 2017

Intvw: Dan Mitchell DEATH LOLZ, Nov. 2017

"Studio Domains" in The Everywhere Studio, ICA Miami, Dec. 2017

"Profile: Katja Novitskova," Interview, June 2017

"Blondes Have Less Fun: on the female archetype of Trump's inner circle," Texte zur Kunst, March 2017

"In the Name of the Father" in Bjarne Melgaard, Rizzoli, Oct. 2016

"Reflex Effects: Surveillance and the Reflective Subject" in Loretta Fahrenholz: Seven Films, Fridericianum/Kunsthalle Zurich/Koenig Books, 2016

"Neo-Bodies: on post-platform care-of-self aesthetics," Texte zur Kunst, June 2016

"Basic Instinct: Cyberchannels and the Female Pose,” Texte zur Kunst, March 2015

"Body Con" in Bernadette Corporation: 2000 Wasted Years, ICA London / Artists Space NY, Oct. 2014

"Scene and Herd: Maidan Voyage, Kyiv,”, May 2014

"The Opening" in Merlin Carpenter: The Opening, Sternberg Press, Aug. 2011

"Body Doubles" in Art and Subjecthood: The Return of the Human Figure in Semiocapitalism, Sternberg Press, 2011

"Antek Walczak at Real Fine Arts, New York," Artforum, Feb. 2011

"On the Ground: New York 2008," Artforum, Dec. 2008

"The Actor's Studio: Ei Arakawa," Artforum, Feb. 2008

"Merlin Carpenter at Reena Spaulings Fine Art, New York" Artforum, Dec. 2007


IG & Twitter: @cbcb2000
carolinebusta [at] gmail [dot] com